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History is the systematic study of the past, focusing primarily on the human past. As an academic discipline, it analyses and interprets evidence to construct narratives about what happened and explain why it happened. Some theorists categorize history as a social science, while others see it as part of the humanities or consider it a hybrid discipline. Similar debates surround the purpose of history—for example, whether its main aim is theoretical, to uncover the truth, or practical, to learn lessons from the past. In a more general sense, the term history refers not to an academic field but to the past itself, times in the past, or to individual texts about the past.

Historical research relies on primary and secondary sources to reconstruct past events and validate interpretations. Source criticism is used to evaluate these sources, assessing their authenticity, content, and reliability. Historians strive to integrate the perspectives of several sources to develop a coherent narrative. Different schools of thought, such as positivism, the Annales school, Marxism, and postmodernism, have distinct methodological approaches.

History is a broad discipline encompassing many branches. Some focus on specific time periods, such as ancient history, while others concentrate on particular geographic regions, such as the history of Africa. Thematic categorizations include political history, military history, social history, and economic history. Branches associated with specific research methods and sources include quantitative history, comparative history, and oral history.

History emerged as a field of inquiry in antiquity to replace myth-infused narratives, with influential early traditions originating in Greece, China, and later in the Islamic world. Historical writing evolved throughout the ages and became increasingly professional, particularly during the 19th century, when a rigorous methodology and various academic institutions were established. History is related to many fields, including historiography, philosophy, education, and politics. (Full article...)

Featured articles are displayed here, which represent some of the best content on English Wikipedia.

Did you know (auto generated)

  • ... that The Fader praised "Montgomery Brawl" as "a hilarious recap" of the brawl and a "song a piece of history deserves"?
  • ... that the September 11 Digital Archive argues that even its misinformation is useful to the historical record?
  • ... that British architect Diane Haigh transformed one historic building into an art gallery and another into a hospice?
  • ... that public health measures and advances in medical science in modern human history helped raise global life expectancy from about 31 years in 1900 to over 66 years in 2000?
  • ... that soccer player Danielle Marcano scored four goals in back-to-back games that helped to send the University of Tennessee to the NCAA tournament quarterfinals for the first time in history?
  • ... that American Colossus is a biography of a man who was "the most famous sportsman in the world" and "the most forgotten great athlete in American history"?
This is a Featured article, which represents some of the best content on English Wikipedia.

Olivier in 1972

Laurence Kerr Olivier, Baron Olivier (/ˈlɒrəns ˈkɜːr əˈlɪvi/ LORR-ənss KUR ə-LIV-ee-ay; 22 May 1907 – 11 July 1989) was an English actor and director. He and his contemporaries Ralph Richardson and John Gielgud made up a trio of male actors who dominated the British stage of the mid-20th century. He also worked in films throughout his career, playing more than fifty cinema roles. Late in his career he had considerable success in television roles.

Olivier's family had no theatrical connections, but his father, a clergyman, decided that his son should become an actor. After attending a drama school in London, Olivier learned his craft in a succession of acting jobs during the late 1920s. In 1930 he had his first important West End success in Noël Coward's Private Lives, and he appeared in his first film. In 1935 he played in a celebrated production of Romeo and Juliet alongside Gielgud and Peggy Ashcroft, and by the end of the decade he was an established star. In the 1940s, together with Richardson and John Burrell, Olivier was the co-director of the Old Vic, building it into a highly respected company. There his most celebrated roles included Shakespeare's Richard III and Sophocles's Oedipus. (Full article...)

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